Bolivianism" in Youssef Nabil's "Breaking the Rhythm"

Document Type : Academic scientific reviews of any other material related to the main domains of this Journal.

Author

Ain shms university ,faculty of Al-Alsun, Arabic department

Abstract

Bolivianism" in Youssef Nabil's "Breaking the Rhythm"

The research examines the mechanisms of multiple voices in the novel "Breaking the Rhythm" by Egyptian writer Youssef Nabil. The novel came out on the model of the knowledgeable narrator, so it depended in its structure on the multiplicity of narrators, and each narrator had his voice and function within the narrative structure, there is the knowledgeable narrator, And the self-narrator "Youssef Saleh", who in his voice presented his confessional experience, and the emotional narrator who used the conscience "you" to bring down the emotion of anger, confrontation, disclosure and condemnation on the reader. The novel also relied on creative dialogue in the author's consciousness between two creative writing sciences, the first of which was raised on his creation "Youssef Nabil", Naguib Mahfouz, and the other influenced him aesthetically through his study and translation of his works, Dostoevsky.,From the first, he took the idea of living in a compelling and frustrating reality in which he crushes the weak forces (power and the governed people), and took from the second biblical techniques, and made the text a page on which voices and visions are discussed, one of which does not tyrannize the text, but these voices are juxtaposed, declaring their own tone, and the text becomes a symphony in which voices unite and harmonize in a special play that unites contradictions.

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