Unified and diversified rhyme in Khalil Mardam Bey's poetry

The poet paid attention to the unified rhyme phenomenon in most of his poems, following the old stereotypes, which indicates the preservation of originality in practice, so he helped express his purposes and feelings with the appropriate narration voice as required by the artistic experience, and the narration movement often came to suit the poet’s condition and the context of speech, so he used the dhamma To denote pride and majesty, in a place of pride and to remind his nation of its ancient past, and to work to awaken his countrymen and shake off the dust of humiliation and humiliation, and spread the spirit of enthusiasm and redemption, as well as using the shard to denote tenderness and softness, which is commensurate with his sorrows, pains, weakness of his homeland, his longing, and his hopes.

It is noticeable that the poet's rhyme was often either connected, joined, or connected, and this indicates his strong tendency to use long letters to contribute to the external music of the text, and to express his sorrows that permeated his poems.

He also used the varied rhyme in a small percentage in his poems, which is a modern feature that brought the text out of the old traditional stereotypes, so as not to leave room for a sense of monotony and to produce a sad rhythm commensurate with the rejection and abandonment of his beloved, his groans and sorrows.