Acceptability of the text and the textuality of the acceptable A critical study in light of the Reception Theory of fabricated hadiths

The study presents a vision that suits the study of the fabricated text as an artistic text embodying artistry characteristic that are the producer's diligence, aesthetic features that are the recipient's goal, and structural and stylistic attributes that are the frame of the text, so that the elements of the communicative process are cross-pollinated in this production. The study adopts the procedures and principles of Reception Theory as a methodological approach for analysis, while considering the criterion of acceptability within textual studies, so that these cognitive theories converge, revealing the methods and styles of the fabrication and the ways in which these texts are received. The study identifies several layers of text recipients: preachers, intellectuals, and the general public, representing the sociological dimension of these texts' dissemination, in addition to the critical recipients represented by the Fabricated Hadiths and Hadith Verification works. The study focuses on the tool of intertextuality as a means of controlling and dominating the reader, and offers an analysis of reader's responses based on the Reception Theory for a group of concepts that help to read the fabricated text and its impact; such as the implied reader, aesthetic distance, textual register, integration of horizons, and horizon of expectation. The study presented forms of reception and response mechanisms; Such as the reception of hadiths about the virtues of the Surahs, hadiths of Prophet’s self-descriptions, and others. The study demonstrated structural features and stylistic phenomena of the topics; such as brevity.